the good stuff

Posted: May 13, 2017 in books etc., books etc., Uncategorized
Tags: , , , , ,

books

Loved the narrative voice in Zadie Smith’s White Teeth and reading Raymond Chandler’s The Big Sleep was like reading a movie. Virginia Woolf’s A Writer’s Diary offered more than a glimpse of the writer’s intense writing process. James Joyce’s Portrait of the Artist as a Young Man didn’t really capture my imagination until the later pages. There were two books about genocide, a nonfiction Elie Wiesel’s Night and fiction, Edna O’Brien’s Little Red Chairs that moved between Ireland, London and Bosnia. Jack London’s The Call of the Wild evokes the inherent wildness in us. Orhan Pahmuk’s A Strangeness in My Mind takes us into the life and mind of a boza seller who married the wrong girl and loved the right one. Vivek Shanbag’s Ghachar Ghochar, a translation from the Kannada, promised Chekhov-like writing, and came with a live ant (!) Han Kang’s The Vegetarian was about how a woman turns vegetarian, taking it to the extreme, and the way she affects her husband, brother-in-law, and sister.

Andre Breton’s Nadja is surrealism personified, and Katie Daisy’s How to be a Wildflower is a vibrant treat. The insights in Virginia Woolf’s A Room of One’s Own are still relevant, and the honesty and courage in Lidia Yuknavitch’s The Chronology of Water has made her one of my favourite writers. Read Neruda’s Selected Poems, and 20 Love Poems and a Song of Despair aloud in Spanish and English to taste the textures in their entirety. Sarita Mandanna’s Tiger Hills brought alive Coorg, and there was a whiff of Gone with the Wind in its pages. Melina Marchetta’s Looking for Alibrandi made me realise that this was the first book of fiction I have read that was set in Australia. I read Vita Sackville-West’s Joan of Arc the first week of May; the same time in the 15th century, Jeanne brought about the fall of Orleans. It was on May 30 that she was burnt at the stake.

Stories on screen –

movies

Telly

© Anuradha Prasad, 2017

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